Absolute Beginner's Guide to Podcasting by George Colombo, Curtis Franklin Jr.

By George Colombo, Curtis Franklin Jr.

Has a person ever instructed you for you to be on radio? whereas radio should be challenging to damage into, podcasting permits you to placed your voice and abilities to paintings to create your personal broadcast to be dispensed over the net to hundreds of thousands of individuals. Absolute Beginner's advisor to Podcasting is the aspiring podcaster's guide. Authors George Colombo and Curtis Franklin will advisor you thru developing, enhancing, and syndicating your podcast, from the types of kit you must how one can layout a podcast that might achieve the widest viewers attainable to criminal concerns confronted through podcasters. you are going to additionally learn the way to:Design a podcast that grabs - and retains - an audience!Choose the ideal instruments - recording software program, microphones, and different equipmentCreate an interesting convey character - podcasting is greater than simply talking!Craft your 'cast right into a express worthy hearing with post-production secrets and techniques of the prosSet up an online web page and RSS feed that would permit listeners to sign up for your podcastEfffectively advertise your podcastThe information inside of Absolute Beginner's consultant to Podcasting will advisor you in the direction of making a enjoyable and profitable podcast.

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This doesn't mean that your show needs to be funny all the time or 44 Part II: Creating a Compelling Podcast Part II: Creating a Compelling Podcast 45 that you need to be a comedian. It simply means that humor has proven to be a valuable tool for all sorts of broadcasters and it can work for you in your podcast, too. You say you're not a natural humorist? That's why we're dealing with this subject in a chapter about show preparation. If you're no Rodney Dangerfieldand most of us aren'tyou can still be funny enough to make a difference with a small amount of planning and preparation.

Our friend was impressed with everything about the show including the apparent abandon with which the members of the band jumped and ran around the stage as they played. As it turned out, our friend was offered a ticket to see the band again the following evening, an offer he gladly accepted. As he began watching the band for the second night in a row, though, he realized something startling: Every movement had actually been planned. All the running, jumping, and gesturing that seemed so spontaneous the evening before was actually choreographed down to the smallest detail.

Adopting a character is one way to create a persona, to be sure, but it's certainly not the only way nor is it necessarily the best way. Projecting a persona, on the other hand, is not in any way inconsistent with being yourself. It does mean that if you're going to be yourself, you need to do so in a way that (1) is consistent over time so that members of your audience get what they expect and (2) clearly projects to your audience through your medium. Being consistent doesn't mean that your tone doesn't vary from one show to the next.

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