An introduction to the theory of relativity by William Geraint Vaughan Rosser

By William Geraint Vaughan Rosser

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I noticed it most in the way that they used storyboards. Joel and Ethan storyboarded almost every shot of their movie, motivated by economic concerns as much as aesthetic ones. If a scene was mapped out shot-by-shot, the art director, wardrobe department, and cinematographer all knew what was needed from them. The actors saw storyboards, in their “sides” — shrunken copies of the script pages that would be shot on a given day — and had a clear idea of what the camera was doing in each one of their scenes.

When Graham finished her reading, I walked into the Boys’ office to give them a fax and found them red in the face. John Lyons raised an eyebrow at me: She’d nailed it. So I was surprised when Tara Reid got the part. How could she have bested Heather Graham, who was so much more fetching? I guess it was because Reid looked more like a Midwestern girl, while Graham, no matter how lovely, was a California girl. The same applied to the actors who read for Brandt, each of them offering a variation on a theme.

It included Tommy Lee Jones (too young), Robert Duvall (not interested, didn’t get it), Anthony Hopkins (not interested, wouldn’t play an American), Gene Hackman (not interested, wanted a vacation), and Jack Nicholson (not interested, only wanted to play Moses). Another Lebowski wish list followed, a wild collection of names that included Norman Mailer, Jerry Falwell, Gore Vidal, William F. Buckley, Jonathan Winters, and General Norman Schwarzkopf. Also, venerable actors like Fred Ward, Carroll O’Connor, Hoyt Axton, Ned Beatty, Peter Boyle, Richard Mulligan, Michael Caine, Jackie Cooper, Bruce Dern, and Paul Dooley.

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